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artist’s statement: mandy
conidaris
The
underlying concept of this body of work follows on the theme of my last
exhibition, which explored the human condition of longing/belonging.
The inspiration for the current visual interpretation of this stems from
certain, quite diverse, aspects of my life.
An essay by Anne Carson, discovered during art
history research, describes eros as desire, linked
to the poetry of Sappho. This in turn linked my thoughts to my
passion for poetry, including that of the Ancient poet Sappho,
kindled during many visits to Greece and the island of Lefkas
where, one legend has it, she jumped to her death. The apple
described in Sappho’s fragment has its own associations related
to desire. I bisected an apple, and explored its inner core in
detail, which resulted in the Eros series. The
watercolour wash monotype technique alludes to Rorschach
inkblots. The magnification of the inner apple alludes to the
fractal patterns found in nature.
With
contemporary medical imaging technology, we can delve deeper into the brain,
the structure which controls our lives, both physically and emotionally. The
sinuous beauty created by a collection of blood vessels seen on MRI brain
scans, known as the Circle of Willis, was described by O’Murch as one of the
“sacred spaces in nature”. With MRI scanning, fascinating, intricate and
previously unseen detail of the human brain is revealed, reminiscent of the
development of the Art Nouveau movement at the turn of the last century,
inspired by mysterious patterns in nature uncovered by microscope
technology.
Also related to new scanning technology is
the concept of “fields”, in particular, magnetic fields. This term is used
scientifically, but also may describe strong emotional attraction. This led
to my wallpaper installation, Quantum Attraction. Wallpaper is often
as unnoticed a backdrop to our lives as is our psychological state. This
formally mimics Art Nouveau wallpaper, though using my own chosen imagery,
the Circle of Willis. As our knowledge of the functions of different aspects
of the brain grows, might that “sacred space” ultimately be revealed as the
seat of eros? My imagery is intended to create a sense of tension, to
encourage the viewer to associate with that “space between” induced by
desire and complex magnetic forces.
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